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␈↓"β␈↓ α∧␈↓␈↓
James A. Moorer␈↓

␈↓"β␈↓ α∧␈↓BORN:   November 25, 1945 in Hollywood, Florida.

␈↓"β␈↓ α∧␈↓EDUCATION:
␈↓"β␈↓ α∧␈↓␈↓ αtMusical studies: Florida State University, 1962-63; Boston University, 1966; M.I.T.,1967.
␈↓"β␈↓ α∧␈↓␈↓ αtS.B. (Electrical Engineering) M.I.T., 1967.
␈↓"β␈↓ α∧␈↓␈↓ αtS.B. (Applied Mathematics) M.I.T., 1968.
␈↓"β␈↓ α∧␈↓␈↓ αtPh.D. (Computer Science) Stanford University, 1975.

␈↓"β␈↓ α∧␈↓PROFESSIONAL EXPERIENCE:
␈↓"β␈↓ α∧␈↓␈↓ αtSystems Programmer, Education Research Center, M.I.T.,1966-68.
␈↓"β␈↓ α∧␈↓␈↓ αtHead of Systems Programming, Stanford Artificial Intelligence Laboratory, 1968-72.
␈↓"β␈↓ α∧␈↓␈↓ αtResearch Assistant, Stanford Artificial Intelligence Laboratory, 1972-75.
␈↓"β␈↓ α∧␈↓␈↓ αtCo-Director, Center for Computer Research in Music and Acoustics, 1975-77.
␈↓"β␈↓ α∧␈↓␈↓ αtScientific Advisor, IRCAM, Paris, France, begin 1977 for two year period.

␈↓"β␈↓ α∧␈↓PUBLICATIONS:
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓Music and Computer Composition.␈↓ Communications of the ACM, Vol.15, 2, 1972.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓The␈α∞Optimum␈α∞Comb␈α∞Method␈α∞of␈α∞Pitch␈α∞Period␈α∞Analysis␈α∞of␈α∞Continuous␈α∞Digitized␈α∞Speech.␈↓
␈↓ α∧␈↓␈↓ β4Stanford␈α_Artificial␈α↔Intelligence␈α_Laboatory␈α↔Memo␈α_207,␈α↔July␈α_1973.␈α↔ Also␈α_in␈α↔IEEE
␈↓ α∧␈↓␈↓ β4Transactions on Acoustics, Speech, and Signal Processing, Vol. ASSP-22, 5, Oct. 1974
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓The␈αHeterodyne␈αFilter␈αas␈αa␈αTool␈αfor␈αAnalysis␈αof␈αTransient␈αWaveforms.␈↓␈αStanford␈αArtificial
␈↓ α∧␈↓␈↓ β4Intelligence Laboatory Memo 208, July 1973.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓On␈α∀the␈α∀Segmentation␈α∀and␈α∀Analysis␈α∀of␈α∀Continuous␈α∀Musical␈α∀Sound.␈↓␈α∀PhD␈α∀Dissertation,
␈↓ α∧␈↓␈↓ β4Stanford University Report STAN-M-3, July, 1975.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓Computer␈α∪Simulation␈α∪of␈α∩Music␈α∪Instrument␈α∪Tones␈α∩in␈α∪Reverberant␈α∪Environments␈↓.␈α∩with
␈↓ α∧␈↓␈↓ β4Chowning, J.M., Grey, J.M., Rush, L., STAN-M-1, 99pp, 1974.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓On␈α∂the␈α∂Transcription␈α∂of␈α∂Musical␈α∂Sound␈α∂by␈α∂Digital␈α∂Computer␈↓.␈α∂Presented␈α∂at␈α⊂the␈α∂Second
␈↓ α∧␈↓␈↓ β4USA-JAPAN Computer Conference, August, 1975.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓On␈αthe␈αLoudness␈αof␈αComplex,␈αTime-Variant␈αTones␈↓.␈αStanford␈αUniversity␈α
Report␈αSTAN-M-4,
␈↓ α∧␈↓␈↓ β418pp, 1975.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓The␈α∂Synthesis␈α∞of␈α∂Complex␈α∂Audio␈α∞Spectra␈α∂by␈α∂Means␈α∞of␈α∂Discrete␈α∂Summation␈α∞Formulae␈↓.
␈↓ α∧␈↓␈↓ β4Stanford University Report STAN-M-5, 23pp, 1975.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓The␈α∞Use␈α∞of␈α
the␈α∞Phase␈α∞Vocoder␈α
in␈α∞Computer␈α∞Music␈α
Applications␈↓.␈α∞ presented␈α∞at␈α∞the␈α
55th
␈↓ α∧␈↓␈↓ β4Convention␈αof␈αthe␈αAudio␈αEngineering␈αSociety,␈αOctober␈α29-November␈α1,␈α1976,␈αavailable
␈↓ α∧␈↓␈↓ β4as Preprint number 1146 (E-1).
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓The␈α∂Synthesis␈α∞of␈α∂Complex␈α∂Audio␈α∞Spectra␈α∂by␈α∂Means␈α∞of␈α∂Discrete␈α∂Summation␈α∞Formulae␈↓.
␈↓ α∧␈↓␈↓ β4Journal of the Audio Engineering Society, Volume 24, #9, November 1976, pp717-727.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓Signal␈αProcessing␈αAspects␈αof␈αComputer␈αMusic␈α-␈αA␈αSurvey␈↓.␈α Invited␈αPaper,␈αProceedings␈αof
␈↓ α∧␈↓␈↓ β4the IEEE, August, 1977.  Reprinted in Computer Music Journal Vol. 1, 1, 1977.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓Perceptual␈αEvaluation␈αof␈αSynthesized␈αMusical␈α
Instrument␈αTones␈↓.␈α with␈αGrey,␈αJ.M.,␈α
Journal
␈↓ α∧␈↓␈↓ β4of the Acoustical Society of America, August, 1977.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓The␈α⊂Use␈α⊂of␈α⊂the␈α⊂Linear␈α⊂Predictor␈α⊂in␈α⊂Computer␈α⊂Music␈α⊂Applications71.␈α⊂presented␈α⊂at␈α∂the
␈↓ α∧␈↓↓␈↓ β4European␈α∂Convention␈α⊂of␈α∂the␈α∂Audio␈α⊂Engineering␈α∂Society,␈α∂February,␈α⊂1978.␈α∂Preprint
␈↓ α∧␈↓↓␈↓ β4available.
␈↓"β␈↓ α∧␈↓↓␈↓ αtAll-digital␈α
Sound␈α∞Recording␈↓.␈α
with␈α
Rush,␈α∞L.,␈α
Loy,␈α
G.,␈α∞in␈α
preparation␈α
for␈α∞the␈α
Journal␈α∞of␈α
the
␈↓ α∧␈↓␈↓ β4Audio Engineering Society.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓Editing,␈αMixing␈αand␈αProcessing␈αDigitized␈α
Audio␈αWaveforms␈↓.␈αwith␈αRush,␈αL.␈α in␈α
preparation
␈↓ α∧␈↓␈↓ β4for the Journal of the Audio Engineering Society.
␈↓"β␈↓ α∧␈↓␈↓ αt␈↓↓Computer␈α∀Simulation␈α∪of␈α∀Reverberation␈↓.␈α∪ in␈α∀preparation␈α∪for␈α∀the␈α∪Journal␈α∀of␈α∀the␈α∪Audio
␈↓ α∧␈↓␈↓ β4Engineering Society.

␈↓"β␈↓ α∧␈↓PUBLIC LECTURES:



␈↓"β␈↓ α∧␈↓␈↓ αtLecture, Carnegie-Mellon University, 1973.
␈↓"β␈↓ α∧␈↓␈↓ αtColloquium, Carnegie-Mellon University, Nov. 1974.
␈↓"β␈↓ α∧␈↓␈↓ αtUniversity of California at Santa Barbara, May, 1975.
␈↓"β␈↓ α∧␈↓␈↓ αtCourse for IRCAM, with CCRMA group, Stanford, Aug. 1975.
␈↓"β␈↓ α∧␈↓␈↓ αtOne week course for DAAD, with Chowning and Grey, Berlin, Sept. 1975.
␈↓"β␈↓ α∧␈↓␈↓ αtLecture, Computer Music Conference, Michigan State Univ., Oct. 1975.
␈↓"β␈↓ α∧␈↓␈↓ αtColloquium, University of Georgia, Feb. 1976.
␈↓"β␈↓ α∧␈↓␈↓ αtColloquium, Center for Music Experiment, U.C. San Diego, June 1976.
␈↓"β␈↓ α∧␈↓␈↓ αtIRCAM Conference, with CCRMA group, Baden-Baden, Sept. 1976.
␈↓"β␈↓ α∧␈↓␈↓ αtAudio Engineering Society Convention, New York, Oct. 1976.
␈↓"β␈↓ α∧␈↓␈↓ αtInternational Computer Music Conference, MIT, Oct. 1976.
␈↓"β␈↓ α∧␈↓␈↓ αtColloquium, Boston University, Oct. 1976.
␈↓"β␈↓ α∧␈↓␈↓ αtAudio Engineering Society Convention, Los Angeles, May. 1977.
␈↓"β␈↓ α∧␈↓␈↓ αtIRCAM Psychoacoustic Conference, Paris, July l977.
␈↓"β␈↓ α∧␈↓␈↓ αtInternational Computer Music Conference, U.C. San Diego, Oct. 1977.
␈↓"β␈↓ α∧␈↓␈↓ αtAudio Engineering Society Convention, Hamburg, West Germany, February 1978.